Steve

Steve Gould spent most of his professional life as a chemistry professor at Oregon State University and The University of Connecticut, but has always pursued his love of nature and photography. He shoots both film and digital, and processes the images in his Photoshop digital darkroom. The digital world lets Steve bring out the best in his images with a level of control that was impossible in the traditional wet chemistry darkroom.

Over the past thirty years, Steve has made numerous trips to many parts of the world, always taking pictures - both above water and below. Photography has allowed him to capture the special sense and flavor of each country: the novelty of the scenery, the personalities of the people, the different ways they have of interacting with their environment.

Photographing the Underwater World

Steve began scuba diving in 1981, and in 1991 he bought his first serious underwater camera, the Nikonos V made by Nikon. A whole new world of color, shapes, and complexity, from wide angle to macro photography, opened up. While we move above water in a two dimensional world, underwater we get to explore in all three dimensions: simply using one’s breathing to increase or decrease buoyancy, a diver can move up and down or hover weightless. But, underwater photography provides unique challenges: the photographer has to remain perfectly balanced and weightless to hold position in the water column while composing and taking a picture. And, since water absorbs more colors at deeper depths, flash photography is essential to bring out the colors in close-by subjects. The photographer has to adjust the power of the flash to not only get these colors but also the blue of the background water provided by the ambient sunlight.

Colors and Compositions on the Beach

Just as you see bands of beautiful colors in an oil film on a wet road or sidewalk, or in soap bubbles, if you look carefully those colors can also be seen in the bubbles of sea foam. The phenomenon that causes the colors in the bubbles is called "Interference". Under the right atmospheric conditions wonderful abstract color photographs can be obtained. You'll find some of my photographs that highlight these colors in a series entitled "Beach Gems". The colors that you see in the foam have not been artificially added, rather the digital darkroom has been used to bring out the richness of these colors.

On San Diego beaches, there is a wonderful variety of colors and textures of sand, interesting cobblestones, shells and various seaweeds. These "found" compositions are ephemeral and ever-changing: each wave-crest creates new arrangements. I have captured some of these in a series entitled "Time Scales".